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“People used to say, ‘I’m going to beat Harry,’” Sidney recalls.
That fourth horse, I think can do it.”The next girl to walk through Cohn’s door was Marilyn Novak, a shy, plump, large-boned 20-year-old from Chicago with no acting experience but a breathtaking face. Since there was already a Marilyn, the first thing that had to go was her name.Her marriage to Khan, a notorious playboy and womanizer, kept her out of pictures for more than two years, infuriating Cohn and further alienating her fans. Cohn wanted her in one of his pet projects, a biblical epic called until her then husband, Haymes, came into Cohn’s office with a marcelled beard and demanded to be cast as Joseph.“I’ll have that son of a bitch back in Argentina,” Cohn exploded.(Haymes, an Argentinean native, was always facing deportation.)Instead, Cohn decided to get back at Hayworth.Unfortunately for Soulé, Columbia owned the building, and Cohn retaliated by raising Le Pavilion’s rent.The director George Sidney, who made all with Novak at Columbia Pictures, became one of Cohn’s most trusted intimates.
She was Columbia’s resident sex goddess in the 1940s, but she had a bad habit of getting married.