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Applying Alinei’s ‘Lexical Self-Dating’ (LSD) methodology to date the linguistic and the genetic evidence, we estimate that the split between Indo-Aryans and the ancestors of Slavs occurred, after the domestication of the sheep and cattle, about 10,000 years ago, but before cereal farming became a common industry amongst the ancestors of Slavs in Europe and Indo-Aryans on the Indian sub-continent.Moreover, the genetic evidence does not indicate that there were any major migrations of people from Europe, including the ancestors of the present day Slavs, to the Indian sub-continent during the last 8,000 years.As Anna Khalilulina's young nun Isabella pleads for the life of her brother Claudio (outrageously sentenced to death by Angelo), the often sardonically comic piece achieves a perfect sense of pace and tension.Superb performances, excellent choreography and tremendous music are supported by outstanding visual images (grotesque tableaux vivants presented inside the rotating red cubes).This wonderland is very different from the saccharine, smoothed-out fantasias of Disney films.Here, things do not go according to plan, and the quirks of human nature alter the course of characters' lives. The fairytale beauty is wooed by a tuxedo-wearing charmer, while her greatest admirer (a lowly, red-nosed caretaker) fantasises, comically, about strangling his suited-and-booted nemesis.Such bleak humour is typical of a production that could almost have been designed by the wildly imaginative dream team of medieval painter Hieronymus Bosch and gothic filmmaker Tim Burton. The princess and her beau become Ginger Rogers and Fred Astaire. All of which is performed with the excellent physical movement that is Derevo's trademark.Tremendous costumes, sets and puppets, add to an enthralling, enduringly beautiful work of theatrical imagination.
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Andrei Kuzichev's brilliantly observed, sharp-suited Angelo (the publicly pious, but privately lascivious and villainous judge who has been made caretaker governor of Vienna) could be one of the many morally conservative, avowedly Christian politicians who currently wield power in Russia.
Indeed, as Donnellan's chorus of archetypes (from pimp to Duke) swirls around the stage, we might be watching a modern adaptation of Nikolai Gogol's great Russian satire, The Government Inspector.
Shakespeare's Measure For Measure, co-produced by Declan Donnellan's world famous company Cheek By Jowl and the Pushkin Theatre of Moscow, is the highlight (thus far) of the EIF's 2016 theatre programme.
Performed in modern dress on a pared-back, minimalist set dominated by three huge, red cubes, Donnellan's production drags the Bard's tale of moral hypocrisy into the 21st century.
Description: Linguistic comparisons between Indo-Aryan languages, Vedic Sanskrit in particular, and Slavic languages show evidence of remarkable similarities in words of elemental nature and those describing ...